Book Description
The Bauhaus school was founded in Weimar in 1919 by the German architect Walter Gropius, moved to Dessau in 1925
and to Berlin in 1932, and was dissolved in 1933 by Ludwig Mies van der Rohe under political duress. Although it
existed for a mere fourteen years and boasted fewer than 1,300 students, its influence is felt throughout the world
in numerous buildings, artworks, objects, concepts, and curricula.
After the Bauhaus's closing in 1933, many of its protagonists moved to the United States, where their acceptance
had to be cultivated. The key to understanding the American reception of the Bauhaus is to be found not in the
émigré success stories or the famous 1938 Bauhaus exhibition at the Museum of Modern Art, but in
the course of America's early contact with the Bauhaus. In this book Margret Kentgens-Craig shows that the fame
of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also
of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing.
Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the patterns of fame-making
that became typical of the post-World War II art world. The transfer of artistic, intellectual, and pedagogical
concepts from one cultural context to another is a process of transformation and integration. In presenting a case
study of this process, the book also provides fresh insights into the German-American cultural history of the period
from 1919 to 1936.
The Bauhaus and America: First Contacts, 1919-1936
The Bauhaus and America: First Contacts, 1919-1936,Margret Kentgens-Craig,The MIT Press,026211237X,20th Century Architecture,20th Century Art,20th century,Architecture,Architecture, German,Bauhaus,History - General,History - Specific Styles,Individual Architect,Influence,United States,Architecture / General
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