The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film)

The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film)

The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film)

more information about The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film)

Editorial Reviews
Book Description
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.

Book Description
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.

The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror (Cambridge Studies in Film),Paul Coates,William Rothman,Dudley Andrew,Cambridge University Press,0521384095,Cinema/Film: Book,Expressionism,Film & Video - General,Film Theory,Germany,History,Mass Media - General,Media Studies,Monsters in motion pictures,Motion Pictures Of Specific Genres,Motion pictures,Performing Arts,Performing Arts/Dance,Pop Arts / Pop Culture,Films, cinema,Motion pictures--Germany--History,Performing Arts / Mass Media

Book Details:

  1. The Great American Playwrights on the Screen : A Critical Guide to Film, TV, Video and DVD
  2. The Hidden Cinema; British Film Censorship in Action (Cinema & Society)
  3. The Jesus Koans
  4. The New York Times Film Reviews, 1997-1998
  5. The NPR Curious Listener's Guide To American Folk Music
  6. The Skinny: What Every Skinny Woman Knows About Dieting (And Won't Tell You!)
  7. The Ultimate Rugrats Fan Book (Rugrats)
  8. The CRB Commodity Yearbook 2002
  9. The Crisis Of American Savings & Loan Associations: A Comprehensive Analysis (Europaische Hochschulschriften Reihe V, Volks- Und Betriebswirtschaft)
  10. The Europe Review: the Business and Economic Report: 1999 (World of Information)

Book Details

Book Details

Recommended Books

  1. A Day in the Life of India
  2. Sportstech: Revolutionary Fabrics, Fashion, and Design
  3. Have Tux, Will Travel : Bob Hope's Own Story
  4. Accounting for Success : Making Sense of Solicitors' Accounts for LPC Students, Practitioners and La
  5. European Financial Systems in the Global Economy
  6. Handbook of Detergents, Part B: Environmental Impact
  7. Listen to the Music : The Life of Hilary Koprowski
  8. Mathematical Foundation of Statistics
  9. Mathematical Aspects of Classical & Celestial Mechanics
  10. Millennium Omnibus
  11. Man Walks into a Pub: A Sociable History of Beer
  12. Ortho's All About Lawns
  13. I Want You to Read This Today And Remember It Forever: Thoughts to Share With a Very Special Person
  14. Neorealism and Its Critics
  15. If Animals Could Talk